![]() In 2015, RED made the Dragon 5K sensor available for the Scarlet as well, but that was a “downgrade” from the RED 6K Dragon from 2013. ![]() It was built to compete with cameras like the Canon C300 and had fewer capabilities than the RED Epic. The Epic was the higher-end version of the first DSMC body/brain, and it has higher frame rate capability when compared to the RED Scarlet. It came after the RED One, and originally featured the M-X sensor, but then offered the Dragon sensor, and you can now upgrade your Epic to the Helium and Gemini sensors. The RED One is said to have effectively the same quality as 35mm film, though most filmmakers looking for a “film look” will prefer the image received from an ARRI camera like the Alexa. They later offered upgrades to a 14- megapixel sensor called the "M-X". It’s the entire camera system, and the first production camera introduced by RED in 2007. The RED One is a camera body, brain, and sensor. How can you possibly know which RED camera is the best? Furthermore, how can you know which is a camera vs a sensor vs an integrated kit? Let’s quickly define some RED camera terminology: RED One Suddenly, you start to wonder who would win in a fight between a Dragon and an Epic but then you remember one is a mythical creature and the other is just a cool name for a really long poem. ![]() What about the Scarlet-W your film school buddy has, or the RED Epic? Then you start to wonder about used RED cameras, or the RED Weapon 8K. So, now you know the new RED camera lineup details and you’re ready to make a purchase or rent for your next project, but then you see that the RED Raven is actually cheaper than the Dragon-X kit. Used RED Digital Cinema Cameras RED product and term glossary ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |